Category Archives: Swar and Raga

Our Recent Performances in Apollo Foundation

Breezy Sunday evening it was, when we reached a pleasant, cute little area amphitheatre in Apollo Hospital. Cute because it was a compact one having the occupancy (stairs) of may be just 100 people. The venue did not disturb any other architectural aroma of the well-built hospital. I reached to see my students already seated grabbing the… Read More »

3D-Aspect Of Music

Music is studded with varied faces and has an immense power of altering human’s life for better. Usually music is considered in three prime forms: Gaayan, Vadana, and Nritya or singing, playing (instrumental) and dance. These three aspects has its individuality and integrity both at the same time. In other words, playing, singing, or dancing… Read More »

Technique To Remember and Vocalize Komal and Teevr Swaras

Out of the blue, while vocalizing natural note-phrases for a long time, you are asked to sing the Re-Komal that is Re-Flat. Now that’s the puzzling, tension-some era. More than 90% of my beginner students, or even amateurs get the jimjams and go wrong, out of tune, when asked to switch from natural notes to… Read More »

Twelve Notes In An Octave

We all know that there are seven natural/primary Notes in Indian Music system: S R G M P D N Apart from the seven notes there are five other notes which are the flat and sharps of these natural ones. So, please remember, there are 12 notes (7+5=12) in total. Let’s talk about these Five… Read More »