The first time I heard Niladri Kumar was at kamani auditorium, Delhi, but was unable to perceive the uniqueness of his playing as he was super fast. The gat was going literally out of anticipation for me; tala was racing with my mind and went far beyond the sam till I realized. Therefore, my final judgement of him was, “too fast”. The next time I heard him was in the advertisement of Taj mahal tea when again he seemed to demonstrate the tidal waves but I observed the kids danced at the ad. Then I realized why he is popular among the youngsters. Sometimes one needs to plummet down back to kids thinking level to inculcate any art among them. Niladri Ji did the same. Kids and youths are fascinated with the fast tempos and that’s exactly what he is up to.
The other day I heard him in a video floated through whatsapp and I was just mesmerized. He was endorsing an event tieing up with Madhuri Dixit and he played her movie songs like dhak-dhak, Mera piya ghar aaya, Ankhiya milau, and all her rocking ones. He made the audience and Madhuri so engrossed that nobody could make out what instrument he was playing. Have a look:
Zitar was the instrument he was playing which is his own creation. Zitar is the cool combo of sitar and guitar (electric) having a beautiful maroon color. This indicates the passion, perseverance and lifetime practice of the maestros with which they land up to their innovative inventions of instruments transcending the level of classical music.
Guru Pt. Ravi Shankar might be smiling proudly above to watch his student being compared with him indirectly in the concert last evening in the Vishalakshi Mantap, Bangalore. His scintillating performance uplifted immensely with the lethal combination of Padmashree Pandit Vijay Ghate on Tabla. The concert titled ‘Soul to soul’, unfolded the Raga charukesi with its startling approach towards aalap and superfluous, beyond anticipation, fast renditions on higher octaves.
Apart from Charukesi, they both extended the event by presenting some fast track medleys maintaining the comity of the deep-rooted classical art. The intricate versatile and doughty rhythms by Pt. Ghate injected the natural bliss and metanoia among the audience.